Introduction
He’ll Have To Go: A Country Crossover Hit
“He’ll Have To Go,” a song synonymous with the smooth vocals of Jim Reeves, boasts a rich history that transcends genre. Released in 1959, the track became a surprise country and pop hit, solidifying Reeves’ position as a musical bridge between the two styles.
The song’s origin story is a touch of everyday life turned artistic inspiration. Songwriters Joe and Audrey Allison, husband and wife, struggled to understand each other over a bad phone connection. Audrey’s soft voice prompted Joe to request, “Honey, put your mouth a little closer to the phone.” This simple line sparked the now-iconic first line of the song.
While another artist, Billy Brown, recorded the song first, it gained little traction. Recognizing its potential, Jim Reeves released his own version later in 1959. Initially, “He’ll Have To Go” was the B-side to another song, “In a Mansion Stands My Love.” However, disc jockeys favored the emotional intensity of “He’ll Have To Go,” and it quickly climbed the charts.
The song’s success stemmed from its dual appeal. The lyrics resonated with country audiences, portraying a story of heartbreak and betrayal through a phone conversation. Meanwhile, the smooth instrumentation, featuring the likes of Floyd Cramer on piano and the Anita Kerr Singers on backing vocals, lent a pop sensibility that resonated with a broader audience. Country music historian Bill Malone attributes this to “He’ll Have To Go” existing “in the country pop vein.”
Reeves’ signature smooth vocals, described as having a “caressing style,” further propelled the song’s popularity. “He’ll Have To Go” became a defining moment in his career, earning him the nickname “Gentleman Jim” and solidifying his place as a country music legend. So, put on your headphones and get ready to be swept away by a tale of love, loss, and the power of a well-timed phone call, all delivered in the velvety tones of Jim Reeves.