Introduction
The song “Oh, Pretty Woman” by Ricky Van Shelton is a cover of the iconic hit originally recorded by Roy Orbison in 1964. Orbison co-wrote the song with Bill Dees, and it quickly became one of the most recognizable rock ‘n’ roll tracks of its time, reaching number one on the Billboard Hot 100 and earning a place in music history. With its catchy guitar riff and Orbison’s smooth, powerful vocals, “Oh, Pretty Woman” became an anthem that transcended genres and generations, securing its status as a timeless classic.
Ricky Van Shelton, a prominent figure in country music during the late 1980s and early 1990s, recorded his version of “Oh, Pretty Woman” as a tribute to Orbison’s original masterpiece. Shelton’s rendition brought a country flair to the rock classic while maintaining the song’s infectious energy and memorable lyrics. His interpretation was included in his 2000 album Fried Green Tomatoes, which showcased his love for classic tunes and his ability to bridge the gap between country music and other musical styles.
Shelton’s version of “Oh, Pretty Woman” offers a fresh take on the beloved song while respecting the essence of Orbison’s original. It features the rich baritone voice that Shelton is known for, paired with a country-tinged arrangement that introduces elements such as steel guitar and a more laid-back rhythm compared to the original rock sound. The cover showcases Shelton’s versatility as an artist and his knack for reviving classic hits while infusing them with his own style.
The song has remained a popular choice for Shelton’s fans, appealing to both country music enthusiasts and those who appreciate Orbison’s original version. Although Shelton’s cover did not reach the same level of chart success as the 1964 original, it stands as a testament to the enduring appeal of “Oh, Pretty Woman” and reflects the cross-genre influence that classic songs can have. Shelton’s rendition pays homage to the original while offering a distinctive twist that introduces the classic to a new audience, blending the worlds of rock and country music.